Wei Jia Selected Bibliography|韦佳评论

 

Artist’s Page|艺术家页面

Download Wei Jia Publication Kit|下载韦佳评论合集

SELECTED BOOKS AND CATALOGUES

2015

Cursive Script, Color and Collage: The Art of Wei Jia (exhibition catalogue). Millbrae, California: NanHai Art, 2015.

2014

Oil & Water Reinterpreting Ink (exhibition catalogue). New York: The Museum of Chinese American, 2014.

Tales of Two Cities: New York & Beijing (exhibition catalogue). Greenwich: Bruce Museum, 2014.

2011

Giving and ReceivingA Collaborative Exhibition of Contemporary Artists from China and the USA (exhibition catalogue). Denver: CU Art Museum, University of Colorado Boulder, 2011.

2010

Spring Equinox (exhibition catalogue). Beijing: Yuan Museum, 2010.

2008

Art Graduate Reunion Exhibition, Class of 1980, Studio III, Department of Oil Painting: Celebrating 90th Anniversary of Central Academy of Fine Arts (exhibition catalogue). Beijing: Loft 3 Gallery, 2008.

Cross Reference: 11 Artists from NY (exhibition catalogue). Texts by Ma Kelu. Beijing: Shuimu Art Space, 2008.

Apartment Art in China 1970s – 1990s, the Ecology of Post-Cultural Revolution Frontier Art. (exhibition catalogue) Texts by Zhang Runjuan and Zhang Min. Beijing: Shuimu Art Space, 2008.

2007

Responding and Corresponding (exhibition catalogue). Text by Liu Xiaochun. Beijing: National Art Museum of China, 2007.

2006

New Chinese Occidentalism (exhibition catalogue). Text by Xinlei Pan. New York: Ethan Cohen Fine Arts, 2006.

Transplanted (exhibition catalogue). Texts by Neil Tetkowski and Zhijian Qian. Union, New Jersey: Kean University, 2006.

Wei Jia: Made in Beijing Forward Slash New York (exhibition catalogue). Texts by Karen and Leon Wender. New York: China 2000 Fine Art, 2006.

2004

Wei Jia 2004 (exhibition catalogue). Texts by Karen and Leon Wender. New York: China 2000 Fine Art, 2004.

1998

New American Paintings: Catalog of the Fifteenth Open Studios Competition. Wellesley, Massachusetts: The Open Studios Press, 1998.

 

SELECTED NEWS AND PERIODICALS

2015

Wei, Jia. “A Conversation with Wei Jia.” Interview with Daniel Chen. Yishu 14, no.6 (November/December 2015): 38–43, illustrated.

2014

Ding, Ning. “Oil & Water: Reinterpreting Ink” (MOCA exhibition review). Artco (September 2014): 122–3, illustrated.

Freifelder, Jack. “MOCA to open Chinese ink show” (MOCA exhibition preview) China Daily USA, 24 April 2014. http://usa.chinadaily.com.cn/us/2014-04/24/content_17460745.htm

Freifelder, Jack. “Rethinking Ink in Chinese Modern Art.” China Daily USA, 28 April 2014.  http://usa.chinadaily.com.cn/epaper/2014-04/28/content_17470479.htm

Haber, John. “Oil and Water and Etel Adnan” (MOCA exhibition preview). Haberarts, accessed on 16 July 2014. http://www.haberarts.com/oilwater.htm

He, Echo. “In the Sky and on the Ground, Chinese Artists in America.” The Art Newspaper (China) 2, no. 13 (March 2014): 7, illustrated.

Levere, Jane L. “A Dialogue between Hemispheres” (Bruce Museum exhibition review). New York Times, 20 July 2014: CT11, illustrated.

“Museum of Chinese in America opens ‘Oil & Water: Reinterpreting Ink’” (MOCA exhibition preview). Artdaily, 17 July 2014. http://artdaily.com/news/69695/Museum-of-Chinese-in-America-opens–Oil—Water–Reinterpreting-Ink-#.U8lBORZhrnZ

“‘Oil and Water: Reinterpreting Ink’ at Museum of Chinese in America, through Sept. 14.” (MOCA exhibition preview) Art in America, accessed on 24 June 2014. http://www.artinamericamagazine.com/exhibitions/oil-and-water-reinterpreting-ink/

Wei, Jia. “Feel the Transfer with Heart Instead of Interpret the Words” (MOCA exhibition review). Art China, 19 May 2014. http://art.china.cn/talkshow/2014-05/19/content_6918548.htm

Wei Jia. “When the Paper Gets Ride of Ink.” Interview with Chun Mei. Art China, 23 April 2014.  http://art.china.cn/exclusive/2014-04/23/content_6843420.htm#rd

2012

Morgan, Robert C. “The Paradox of Xuan.” Asian Art News 22, no. 5 (September/October 2012): 50-52, illustrated.

Morgan, Robert C. “Avant-Garde: Ink in China: Beyond Pop and Expressionism” (Tenri Culture Institute exhibition review). The Brooklyn Rail, 1 August 2012. http://www.brooklynrail.org/2012/08/artseen/avant-garde-ink-in-chinabeyond-pop-and-expressionism

 

画册和出版物

2015

《韦佳:抒写 色彩 拼贴》(展览画册),密尔布瑞:南海艺术中心,2015.

2014

《双城记:纽约&北京》(展览画册),格林威治:布鲁斯博物馆,2014.

《再读水墨》(展览画册),纽约:美国华人博物馆,2014.

2011

《对应/应对II:中美艺术家联展》(展览画册),丹佛:科罗拉多大学博物馆,2011.

2010

《春分》(展览画册),北京:元典美术馆,2010.

2008

《中央美术学院油画系第三工作室80级回顾展》(展览画册),北京:红三房画廊,2008.

《穿越:纽约到北京》(展览画册),北京:水木当代艺术空间,2008.

《中国公寓艺术1970s–1990s (1),后文革的边缘艺术生态》(展览画册),北京:水木当代艺术空间,2008.

2007

《对应/应对:中美艺术家联展》(展览画册),北京:中国国家美术馆,2007.

2006

《移植》(展览画册),尤尼恩,新泽西,凯恩大学,2006

《新西方主义:纽约中国当代艺术》(展览画册),纽约:伊桑科恩画廊,2006.

《韦佳:生于北京,驰骋纽约》(展览画册),纽约:文良画廊,2006.

2004

《韦佳:2004》(展览画册),纽约:文良画廊,2004.

1998

《新美国艺术:第十五届开放工作室大赛画册》,威尔斯利,马萨诸塞:开放工作室出版社,1988.

 

评论和文章

2015

韦佳,“韦佳访谈”(季凤轩画廊展评),《典藏国际版》,第14卷,第6期,2015.11/12: 38–43, 插图.

2014

丁宁,“油与水:再读水墨”(美国华人博物馆展评),《典藏今艺术》,2014.09.

弗雷菲尔德,杰克,“美国华人博物馆将开展中国水墨展”,中国日报美国版,2014.04.24.

http://usa.chinadaily.com.cn/us/2014-04/24/content_17460745.htm

弗雷菲尔德,杰克,“反思中国现代艺术中的墨”,《中国日报》北美版2014.04.28.

http://usa.chinadaily.com.cn/epaper/2014-04/28/content_17470479.htm

哈勃,约翰,“油与水,伊坦艾德南”,哈勃艺术评论,2014.

http://www.haberarts.com/oilwater.htm

何雨,“云端与地上”,《艺术新闻/中文版》,第2册,第13期,2014.3.

Levere,Jane L.,“半球间的对话”(布鲁斯博物馆展评),《纽约时报》,2014.7.20:CT11,插图.

“美国华人博物馆开展:再读水墨”,艺术日报,2014.07.17.

http://artdaily.com/news/69695/Museum-of-Chinese-in-America-opens–Oil—Water–Reinterpreting-Ink-#.U8lBORZhrnZ

韦佳,“不是去解读文字,而是静心感受它的传递”,艺术中国网,2014.05.19.

http://art.china.cn/talkshow/2014-05/19/content_6918548.htm

韦佳,“当纸脱离墨” 春妹采访,艺术中国,2014.04.23.

http://art.china.cn/exclusive/2014-04/23/content_6843420.htm#rd

“再读水墨:美国华人博物馆”,美国艺术,2014.06.24.

http://www.artinamericamagazine.com/exhibitions/oil-and-water-reinterpreting-ink/

2012

罗伯特 C. 摩根,“宣纸的悖论”,《亚洲艺术通讯》,2012.9/10: 50-52, 插图.

罗伯特 C. 摩根,“先锋:中国水墨.超出波普与表现主义”,《布鲁克林邮报》,2012.8.1. http://www.brooklynrail.org/2012/08/artseen/avant-garde-ink-in-chinabeyond-pop-and-expressionism