Poster Design: Iris Zhang
Artist Tour with Hsin-Chien Huang at Pratt Manhattan Gallery
艺术家导览｜黄心健个展《我们称作家的资料》
Time: 2023.3.3&4 (Friday & Saturday), 2-4 pm
Location: Pratt Manhattan Gallery, 144 West 14th Street, New York, NY 10011
Speaker/Artist: Hsin-Chien Huang
Event Organizer: Iris Zhang
Ticket Fee: Free
Maximum Capacity: 20 people per session
时间: 2023.3.3&4 (周五&周六), 下午2-4点
地点: Pratt Manhattan Gallery, 144 West 14th Street, New York, NY 10011
主讲人/艺术家：黄心健 Hsin-Chien Haung
活动组织：张琦
票价: Free
人数限额: 每场20人
New York - Fou Gallery cordially invites you to join the artist tour guided by the Taiwanese multi-disciplinary artist Hsin-Chien Huang on March 3rd and 4th, from 2 pm to 4 pm, at Pratt Manhattan Gallery. In the last two days before the exhibition Hsin-Chien Huang: The Data We Called Home closes, Huang, who has traveled from Taipei, will converse with attendees about his exhibition and practice. Through the fusion of fictional and real worlds, Huang will guide the participants to experience the original meta-universe ecology from Taiwan, showcasing the state of new media art in Asia and providing a concrete example of the region's proficiency in developing immersive VR experiences. The Data We Called Home is organized by the Department of Exhibitions, Pratt Institute, with support from Fou Gallery.
纽约-否画廊诚挚邀请您参加将于3月3日与3月4日（周五与周六）下午2点到4点，在普拉特曼哈顿美术馆举行的两场由艺术家黄心健现场主持的展览导览活动。观众可报名任意场次。展览《我们称作家的资料》闭幕之际，艺术家黄心健自台北远道而来，希望与对新媒体艺术感兴趣的朋友们面对面对话。届时，报名参加导览的观众将在艺术家黄心健的带领下，体验虚实维度之间的熔接，了解来自台湾原创的元宇宙生态，感受当今亚洲VR创作和沉浸式内容实力的具体展现。
Hsin-Chien Huang, Still from Samsara, 2021. Virtual Reality Installation, 28 minutes. ©Hsin-Chien Huang, Courtesy of Artist's Studio and Fou Gallery
黄心健, 《轮回》（视觉画面），2021. VR头戴式显示器、电脑主机. 时长28分钟. ©黄心健, 致谢艺术家工作室和否画廊
The exhibition, Hsin-Chien Huang: The Data We Called Home, remaps Taiwanese folklore, the ethics of digital surveillance, space exploration, and the body-mind dichotomy across different media and features a seminal collaboration with artist Laurie Anderson. The exhibition highlights the broad scope of Huang’s complex body of work, featuring virtual reality films, sculptures, and videos presenting new perspectives on the immersive possibilities of mixed media art practices. The show centers four large-scale virtual reality journeys (Samsara, 2021, Bodyless, 2019, To the Moon, 2018 and Chalkroom, 2017) alongside stainless steel sculptures and 3-D prints. The multimedia installations invite viewers to immerse themselves in the otherworldly spaces, stories, and forms reimagined by Hsin-Chien Huang. The Data We Called Home is Huang's debut solo exhibition in New York and his largest institutional solo exhibition in North America.
Join us for a unique opportunity to converse with Hsin-Chien Huang!
展览《我们称作家的资料》自2022年9月23日至2023年3月4日在普拉特曼哈顿美术馆举行。本次展览由普拉特艺术学院兼任教授Linda Lauro-Lazin担任展览策展人，呈现了黄心健最新创作的VR作品《轮回》；与萝瑞·安德森合作，在国际上屡获大奖的VR影片《登月》以及《沙中房间》；描绘台湾戒严时期记忆的VR实境体验《失身记》；和《蕴空》不锈钢雕塑系列作品等。这些作品重新探索了台湾民间传说、数字监控伦理、太空探索和身心二元论在不同媒介中的表现，运用广泛的媒体形式，包括VR电影、雕塑和视频，呈现了多媒体艺术实践的沉浸性可能性的新视角。本次展览是黄心健在纽约的首次个展，也是艺术家在北美地区呈现的最大规模的机构个展。
本次活动由纽约否画廊与艺术家工作室组织发起，感谢普拉特曼哈顿美术馆及团队的支持。
Hsin-Chien Huang, Still from To the Moon, 2018. Virtual Reality Installation, 15 minutes. ©Hsin-Chien Huang and Laurie Anderson
黄心健与萝瑞·安德森，《登月》（视觉画面），2018. VR头戴式显示器、电脑主机. 时长15分钟.
Hsin-Chien Huang, Still from Bodyless, 2019. Virtual Reality Installation, 28 minutes. ©Hsin-Chien Huang, Courtesy of Artist's Studio and Fou Gallery
黄心健, 《失身记》（视觉画面), 2019. VR头戴式显示器、电脑主机. 时长28分钟 ©黄心健，致谢艺术家工作室和否画廊
Speaker/Artist | 主讲人/艺术家
Huang Hsin-Chien at 74th Venice Film Festival., courtesy of the artist’s studio
Hsin-Chien Huang
Hsin-Chien Huang (b. 1966, Taipei) is a new media artist adept at combining VR, interactive installations, performing arts, and machinery to explore greater possibilities for human life through technology. His career endeavor explores the possibilities of cutting-edge technologies in art, literature, design, and stage performance. His projects involve large-scale interdisciplinary interaction, performing, mechanical apparatuses, algorithmic computations, and video installations. As a distinguished professor at the Design Department of National Taiwan Normal University (NTNU), Huang is committed to interdisciplinary collaborative STEAM education and publication. In recent years, Huang’s revolutionary VR works have attracted international attention and won various awards. His VR feature film La Camera Insabbiata | Chalkroom (2017), made in collaboration with Laurie Anderson, won the Best VR Experience Award at the 74th Venice Film Festival. Bodyless (2020) won an Honorable Mention at the 2020 Ars Electronica Festival (Linz, Austria) and the Golden Mask, the highest honor, at the Newimages Festival (Paris, France). Huang's outstanding international performance continued when his new work Samsara (2021) won the Jury Award at the Texas South by Southwest Festival (Austin, U.S.A.), Grand Prize for the Best VR Narrative in the XR category at the Cannes Film Market in France, and Honorary Mention in the Computer Animation category at Prix Ars Electronica (Linz, Austria). Huang's work has been exhibited in solo or group exhibitions at important international institutions, including the Hirshhorn Museum and Sculpture Garden (Washington, D.C., 2022), Aichi Triennale (2022), Moody Center for the Arts, Rice University (Houston, 2022), the American Museum of Natural History (New York, 2019), Modern Art Base Shanghai (2019), MASS MoCA (2019), National Fine Art Museum (Taipei, 2017), ZKM Center for Art and Media (Karlsruhe, Germany, 2017), the Louisiana Museum of Modern Art (Humlebæk, Denmark, 2017), and the Herbert F. Johnson Museum of Art at Cornell University (Ithaca, New York, U.S.A., 2015). In 2022, Pratt Manhattan Gallery presented Huang’s first solo survey in the U.S.A. - The Data We Called Home.
黄心健
黄心健（b. 1966，台北）是一位新媒体艺术家，擅长结合VR、交互装置、舞台艺术和机械，通过科技探索人类生命的更多可能。他的职业生涯致力于探索艺术、文学、设计和舞台表演中高精尖技术可能性，作品运用了大型跨域互动、表演、机械、算法和视频等形式。作为国立师范大学 (NTNU) 设计系的特聘教授，黄致力于STEAM（Science科学, Technology技术, Engineering工程, Arts艺术，和Mathematics数学）领域的跨域整合教学与出版工作。在过去的几年里，黄的革命性VR作品已经引起了国际社会的关注，并赢得了诸多奖项。他与萝瑞·安德森（Laurie Anderson）合作的VR长片《沙中房间》 （2017） 获得了第七十四届威尼斯影展VR最佳体验奖。《失身记》 （2019） 在2020年奥地利电子艺术节(奥地利林茨) 获得了优选奖，并在NewImages Festival (法国巴黎)上获得最高荣誉金面具首奖。在那之后，他继续在国际大展上履获新奖，新作《轮回》（2021）获西南偏南虚拟影院竞赛评审团首奖（美国奥斯汀），戛纳电影节XR单元最佳VR叙事奖（法国戛纳），及奥地利电子艺术节优选奖（奥地利林茨）。黄心健的作品也在国际上众多重要机构的个展和群展上展出，包括赫尚博物馆和雕塑园（美国华盛顿, 2022）、爱知三年展(2022)、莱斯大学穆迪艺术中心（美国休斯顿，2022）、美国自然历史博物馆（美国纽约，2019）、上海现代艺术基地（2019）、麻省当代艺术博物馆（2019）、国立台湾美术馆（台北，2017）、卡尔斯鲁厄艺术与媒体中心（德国卡尔斯鲁厄，2017）、路易斯安那现代艺术博物館（丹麦胡姆勒拜克，2017），康奈尔大学强生美术馆（美国纽约州伊萨卡市，2015）等。2022年黄心健在普拉特艺术学院美术馆举办个展《我们称作家的资料》，这是艺术家在北美地区呈现的最大规模的机构个展。
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